The recent uproar surrounding Wizkid’s Fela Kuti controversy explained by social media influencer VeryDarkMan (VDM) has ignited a significant debate within the Nigerian music industry and among fans. VDM, a prominent activist, released a viral video on Thursday, directly accusing Afrobeat superstar Wizkid of disrespecting the iconic music legend Fela Kuti. This incident has prompted widespread discussion across various social media platforms, highlighting underlying tensions about how Nigerian musical pioneers are honored and remembered. VDM’s stance underscores a broader critique of the industry’s perceived failure to adequately celebrate its foundational figures, contrasting it with global practices where musical legends are revered. This conversation is crucial for understanding the evolving dynamics of legacy and recognition in African music.
VeryDarkMan articulated a strong critique of the Nigerian music landscape, asserting that while other nations uplift their musical icons, Nigeria often dismisses its own as relics of “past glory.” He meticulously listed several Nigerian music veterans, including Eldee the Don, African China, Psquare, 2Face Idibia, and Asa, emphasizing their profound impact on shaping the industry. VDM lamented that these artists, despite their immense contributions, frequently face insult or neglect when they attempt to voice concerns regarding national or industry-specific issues. This perceived pattern of disrespect forms the bedrock of his argument against Wizkid’s recent remarks, which VDM claims have further emboldened some fans to disparage the late Afrobeat pioneer.
What is the core of the Wizkid Fela Kuti controversy? The controversy primarily revolves around VeryDarkMan’s accusation that Wizkid’s comments about Fela Kuti were disrespectful, prompting a backlash over how contemporary artists acknowledge and honor the legacy of music pioneers in Nigeria. This debate extends to comparisons of their respective impacts and achievements.
VDM specifically condemned Wizkid’s comments regarding Fela Kuti, stating that although disagreements are a normal part of public discourse, Wizkid’s handling of the situation was subpar and contributed to a culture of disrespect. The influencer pointed out that such comments from a figure of Wizkid’s stature can significantly influence public perception, potentially undermining Fela’s monumental legacy. This highlights the delicate balance artists must strike between expressing personal opinions and maintaining respect for those who paved the way.
Addressing the persistent comparisons between Wizkid and Fela, particularly concerning Grammy Awards, VDM presented a nuanced argument. He contended that Wizkid’s 2021 Grammy win for “Brown Skin Girl” was predominantly influenced by Beyoncé’s global platform, suggesting it was not a sole reflection of Wizkid’s individual artistry. This perspective challenges the narrative often used to elevate contemporary artists above historical figures, emphasizing the different contexts in which their achievements were realized.
In stark contrast, VDM lauded the international recognition bestowed upon Fela Kuti, citing Beyoncé’s consistent celebration of the late musician. He noted that Beyoncé has not only performed Fela’s iconic song “Zombie” but has also explicitly acknowledged his profound influence in multiple interviews, showcasing a deep reverence for the Afrobeat legend. Furthermore, VDM highlighted Fela’s impending 2025 induction into the Grammy Hall of Fame and the anticipated posthumous Lifetime Achievement Award, solidifying his enduring global impact.
VDM drew a clear distinction by singling out Burna Boy and Tems as Nigerian artists whose Grammy wins were, in his view, purely based on their individual musical contributions and artistry. He referenced Burna Boy’s critically acclaimed album “Twice As Tall” and Tems’ numerous accolades as prime examples of artistic merit being recognized on a global scale without significant external influence. This comparison serves to underscore VDM’s criteria for genuine artistic achievement and legacy building.
The debate also touched on the personal lives of historical figures. VDM robustly defended Fela against criticisms of his private life, including his multiple marriages, by arguing that numerous historical figures with similar personal controversies are still widely revered for their contributions. He asserted that neither Wizkid nor many contemporary stars have yet matched the Kuti family’s profound and enduring influence on African music and global culture. This perspective emphasizes judging individuals by their broader societal and artistic impact rather than solely by personal choices.
Beyond the immediate dispute, this controversy sparks a vital conversation about the future of Nigerian music. It prompts reflection on how new generations of artists will interact with the legacies of their predecessors and how the industry will foster an environment of respect and recognition. The Wizkid Fela Kuti controversy explained by VeryDarkMan serves as a potent reminder of the weight of cultural heritage and the responsibility that comes with being a torchbearer in a globally influential music scene. The dialogue continues to evolve, shaping perceptions of artistry, legacy, and the true measure of success in African music.
